What Happens When Indie Authors Die? The Problem of Digital Archives and the Avenging Prius

Even in death some don't find peace..  #coffin...
Even in death some don’t find peace (Photo credit: Gulfu)

I’m working on ten separate book projects these days — four novels, two memoirs, two collections of related stories, and two titillatingly weird erotic chronicles about masturbation in the modern world. These last I intend to publish under pseudonyms. 90% of the work I do is on my laptop, a rather trustworthy MacBook now seven (7) years old.

In addition to the ten big projects I’m working on I have over fifty short stories in various stages of undress that always seem to be shivering on the white screen I look at every day. Some of these stories are just notes and scraps of dialog, but the majority are nearly finished drafts or, perhaps, completed first drafts that I am not so happy with.

By the end of 2014 I hope I’ve got a publishing deal or two for a few of the books I Continue reading

Advice on Supporting Indie Writers & The Best Indie Book Sites on the Web

I want to report that after two years of indiscriminate book reading on paper and screens, I have come to the conclusion that I like reading on-screen more than paper. I did not start this process as an experiment, but I was aware that I should do everything in my power not to be judgmental on either side of the fence as I read.

There’s the obvious issue of being able to change font sizes (my 56-year-old eyes suck), but in addition: I like the compactness of the reading experience; I seem to be able to scan a story better (that is speed up and slow down the reading process); it’s also awesome to set up a catalog of highlighted text with book apps; and Continue reading

When Novels Become Assassins: The Problem with Writing on the Edge

Not feeling so good...
Not feeling so good…

A version of this essay was adapted for The Huffington Post. Read that here.

I nearly died just after completing the first draft of a novel called Beautiful Morning Blues. The story I came up with is unnerving, possibly amoral, anarchic, and, certainly, nihilistic as hell — but it still tries to say life is a magnificent and magical journey. I’m convinced that this dualism, this story at play with big metaphors and dark issues, was working to assassinate me — the messenger — from the moment I conceived it.

I struggled for two years to bring the whole 438 page draft into existence. Beginning with writing the first paragraph on a whim in 2002 (a guy gets offered $300 by a neighbor to have sex with her), over the next two years I battled depression, a growing addiction to alcohol, struggles in my marriage, sexual insecurity, and a weird sort of self-centered lunacy that you really have to call psycho-narcissism. On top of all that, every few months or so I just felt really crappy. I would run a low-grade Continue reading

Talking Indie Addendum: More On Making it Through the Indie Slush World

“DOH” © HOBVIAS SUDONEIGHM

My first “Talking Indie” column, “Sorry, Your Buddies Won’t Buy Your Book,” was published today at the online magazine Talking Writing. If you haven’t read it, you can check it out HERE. It’s all about getting over the friends and family hump when you first step into the dark and stormy night of marketing in the book world.

Very quickly, I want to add a couple major items that this article implies for anyone looking for nuggets of wisdom on independent publishing in this new frontier.

1. Do Your Homework

There are some incredibly informative blogs and websites out there written by experienced and insightful Indie Authors and book marketing professionals. You really need to spend a few months Continue reading

The Sins of Multi-Media: Gliding the Electric Book

Image
Cover to SushiLove Sessions by Global Illage.

I am in the process of developing a musical edition of my novel Beyond the Will of God. Like many of my stories, this psychedelic mystery is at least partially about music. References to everything from bootleg Grateful Dead songs to free-form jazz to The Doors “Riders on the Storm,” and Elvis’s first hit, “That’s All Right” pop up in the book all over the place. Part of the meat of the plot is concerned with the transcendent power of improvisational music. Unstated, more or less, is the urge at least some musicians have to create new sound and new combinations of melody, Continue reading