Still Sitting in a Circle

Weirdly, I found a Joy Harjo interview in a recent edition of AARP Bulletin. What a great discovery! Near the end of the piece, she says, “My sense is that when a child is born, mother’s milk emerges to feed the baby, but grandparents feed babies with stories.”

I got two things out of that statement. One is that, Yes! Indeed! I have been a grandparent now for almost 20 months. I plan to live another 20 years at least so that I can download all the stories I know about our grandson’s (and, hopefully his siblings and cousins) family. That role is particularly poignant for me because I am adopted and I am (as is he) a mixture of a half dozen family connections and a blend of

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Wielding Hope and Dreams

Back in March, TW Magazine published commentary by me called “Which Way We Going Now?” What I wondered in that piece was how artists of all types were going to respond to changes forced on us by this new administration. 

The last time we had to deal with those same folks, the only significant artistic attempts to consistently address problems they were creating for the country seemed to come from comedians (and cable news talking heads having fun with various eye-rolling group exercise sessions). Now, however, we are living with a 2nd Term version of what some call the most incompetent, venal, and hostile administration in history. I promise not to go into detail about their shenanigans. Anything I attempt to describe explicitly from yesterday will be overshadowed by new bizarre travesties tomorrow. 

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Voices Gone Living On

I have learned as a reader who happens to be a writer that you never know when you’re going to bump into something new and interesting to influence your work. As examples, in the past week or so I’ve read three different types of document that inspired new thoughts and ideas for the novel I’m working on. One was a Substack memoir series; another a book review; the third a hybrid history-mystery-biography about a blackface minstrel star in the first half of the 20th century.

Many Men Watching

Martha Nichols’ Substack is called “Inside Reader” where she often writes about personal essay journalism, artificial intelligence, and all sorts of new shenanigans in the media world. I’ve known Martha for many years now and have immense respect for her knowledge about writing and her skill in particular as an astute essayist. (She also happens to have been my editor at Talking Writing magazine as well as The Harvard Business Review, among other things).

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What I’m Up to in 2025

Special Note from the Future: My new novel, Sound Effect Infinity, should have been available as an E-book everywhere that digital books are sold, but it wasn't until now, here in 2026. Here's the landing page at Amazon now and for the rest of the spring of 2026. 

Below is text from 2025. I have moved quite far since then. This is left here at my website for archival purposes only. My old publisher never really got things rolling for me, so this year (2026) we moved forward with Flat Branch Press. Below, you’ll find where I was in 2025 if you want some background on where I was in 2025. Where were you, by the way?


As to the spoken word version, I continue to slowly edit and correct the audio files. What an interesting and important process for all writers. I pointed that out in my last post. It continues to be a fascinating experience to hear someone else read my narrator’s words. Instead of revising and editing, the point is to ensure that they are replicated into voice as close to how they were written as possible. I’m hoping we’ll all see the audio version for sale by the end of March.

I wish the bound and printed version of this novel was already available, but the E-Book will have to do for now. I can breathe better with at least one version of this funky story out there. For those of you who “only read on paper,” may I suggest getting started on the E-book then converting over when it comes out in premium hardcover? Just a thought. Your support now will help immensely with internet algorithms when the printed version becomes available.

No matter what, I had been waiting far too long for any version release of Sound Effect Infinity. Yes, in part it’s a near-future science fiction dealing with the power of loud guitars and the magic of music all connected to secrets about CIA paranormal experimentation and remote viewing. But it’s also now kind of close to home in how it describes the way America’s political life seems to be floating off into strange new sections of our national cosmic river.

For the record, Sound Effect Infinity began as an attempt to write something intelligent but wild and crazy about sex, drugs, and rock ‘n’ roll. So many whippersnappers out there still give my generation shit with their “Okay, Boomer…” assholery. But think about it: who invented sex, drugs, and rock ‘n’ roll as a philosophy and a way of life? And who now is inventing this bizarre shift of intelligence in our collective life here in the mid-2020s?

Boomers Rock Better Than Ever

As to that sex, drugs, and rock ‘n’roll phenomenon, I turn 67 in a few days and have been asking myself over the past several yearsl: “Would I go back and do things differently?” I want to believe I would. No question, you can never have enough sex when you’re below the age of 30, but the drug thing was rather debilitating after maybe that first 24 months or so in my teens. By my junior year of college, I had fully weaned myself off getting high every day by substituting whiskey highballs on Friday and Saturday nights only. But that’s still getting high, to be honest, and that habit rolled along first morphing into a regular, nightly unwinding (during the Reagan era) and lasting until I turned 50 when I finally understood the problem for what it was and began the long process of freeing myself from what really is a useless and emotionally poisonous addiction. It would take more than a decade to fully escape that prison.

So, yeah, booze can (and will) fuck you up. Not just as a drunk or functioning alcoholic, but in chronic emotional ways you aren’t even really making the right connection with. I may have written this in other places, but every counselor talking to couples in need of therapy should start by asking both parties to stop drinking and/or getting high in any way for a month before they come back for their second session. Sorry. But that’s totally true. Me? I’ve been 100% free of any kind of buzzy mindshift since November 2022.

As to the rock ‘n’ roll side of things, my generation gets an A+. No debate. Sorry. Music with a beat is now, in fact, one of the principle art forms worldwide, and by far and away the most personal and intimate sensual experience almost everyone has on a daily basis everywhere on the planet.

If you’ve learned the importance of the beat, you don’t even need to hear music in order to move in time to the Universe at large. One of the most touching video clips I saw on Instagram last year was three young boys, maybe 8 – 10, break dancing with joyous abandon in the middle of Gaza rubble. Bizarrely, the American press didn’t do a good job of covering this, but here’s an Australian outlet’s coverage of the phenomenon: This breakdance crew in Gaza is using dance to help children heal from trauma.

Rock music is in everything now, even what people call classical. And don’t get me wrong, Boomers didn’t invent rock. No one did. It probably came out of the ground first, but was in the air as well by 1948 or so, first, in places like New Orleans, Kansas City, and Chicago, but spreading fast everywhere – from London to Tokyo to Rio de Janeiro to Lagos to Dublin by 1962.

What Do You Think, Though?

Book promotion is going to be a major part of my 2025. The E-book edition of Sound Effect Infinity [was available but is available here in 2026, now, as a hardcover at Amazon…have I said that yet?]. Maybe it’s a new take on sex, drugs, and rock ‘n’ roll, maybe not. You’ll have to check it out.

Thus, here in the beginning of 2025 I’m partly sitting around waiting for people to read Sound Effect Infinity and tell the world what they think. Partially waiting as well for the hardcover release. Also hoping folks will just step up impatiently and buy the E-book while pre-ordering a copy of the printed version. You won’t be charged for that hard copy until it ships.

Next Book Up Is?

While I wait, I’m hard at work still on my next project, code named Notes on the Golden Country. I am up to the third and final section of that book which is part quest, part historical fiction, and part time travel science fiction. As with Sound Effect Infinity, this story is off the beaten path in all sorts of ways. I think it’s safe to say that as a kid who grew up in the ’60s and ’70s I’ve never found much value in canned or predictable attempts at storytelling. Notes on the Golden Country is all about America and somewhat rebellious in its plot and theme. (Is being rebellious an American trait?).

My writing has been kind of twisted into knots after last year’s election. I was surprised to see a majority of voters put the Republican Party in charge of this country. That still doesn’t compute. The choice was between love on one side and punishment on the other. Now it seems like it’s between dismay and destruction. Somehow, I’m finding ways to rise beyond all this shit. I have special secrets I’ve figured out and ways to avoid stepping in the piles of shit that are currently being dumped all over America by this group of foolish, incompetent wannabes.

Note that it was the majority of actual voters that put the Republicans in a position to shred government services and support, i.e., people who went to the polls. The reality is that the largest percentage of eligible voters did not vote. Once again, the winner of our national election was people who don’t understand or don’t think they should be required to give a shit. That wasn’t a surprise, but it was very sad since it was pretty obvious that a certain segment of political types have made it their business to suppress voting behavior and limit access to the polls. When people make things that obvious and are so openly cynical about what they’re doing and talk hatred, division, and punishment, it’s kind of a good idea to show them they’re being jerks at least by casting a vote on whether you agree or want a bit more common sense and humility leading the way for us all.

Looking People in the Eyes

I just finished writing an essay this afternoon that will be published soon. Near the end of it, I wrote: “I believe in peace, love, community, independence, laughing, looking people in the eyes, being honest, and working hard not to be angry or hateful towards anyone.” I try to get those perspectives into all of my work as best I can–my stories, social media posts, online commentary pieces, and the lyrics to music I’m working on. I have one song I’m almost happy with these days called “Discontented People,” and another called “Modern Crow Blues.” Also, I have the music fully composed but not the lyrics to a song I have decided to call “Dinner in the Air.” There are a lot of other ones in various stages of undress. I try to work on them carefully because I don’t want anger (rage?) guiding what I’m doing. Hopefully, those songs can actually be recorded and sent out into the world by this fall. Some of them are kind of good…or at least I’m happy with them. Happiness is important these days, right? Something to share? Buy the book and you’ll make me even happier…

I’ll leave off here now with a small quote from Sound Effect Infinity:

Even now, he gets inside each one of us. We feel it. We hear it. He moves us. But we don’t really think about what’s happening. It seems normal. Sound and feeling. Loud reverb music finds the actual human soul that each of us has whether we believe in that kind of thing or not.

Chapter 3: That’s All Right

Intelligent Conversations with Infants

On the poetics of babies we need to understand

My father used to tell a parenting joke that went something like this: “As soon as my children were capable of an intelligent conversation, it felt like they were real human beings.” I loved my dad, but he could be such an idiot about little kids.

All good dads in today’s world understand that a very human relationship with their children begins as soon as they are born. In my dad’s day, prospective fathers weren’t even allowed in the delivery room. I was right there when each of my three kids finally showed up. I’ll never forget the feeling I had when my first son was born. I was left in the delivery room for about 90 seconds while they wheeled out mom. I walked over to the little bassinet thing in which he’d been placed and stared down at this wonderful stranger’s face. That 5-pound 4-ounce little kid who arrived six weeks early paused in mid-squawk, popped open his eyes, and calmly stared into my soul. I tried to tell my dad about that moment once. He said, “Baby’s can’t see a thing when they’re just born.” Well, sure.

Being There and Feeling Crazy

I knew I didn’t want to be like my dad, but there’s no way I had a clue how hard it is being a competent father to infants. I wish I’d understood in the beginning that communication is different than speaking. All that acting out and fussing and crying — even well after language acquisition — is open communication of emotion. It’s not a little punk kid being an impossible, useless little jerk. A major job of a parent in the early days is to learn what’s being expressed and to figure out how to effectively respond back.

One of our kids would sometimes try to stuff his hand into his mouth and then down his throat. Sometimes he would do it after fussing for a while. Sometimes it seemed he might be a little psychotic. All too often he would get his little fist inside his mouth, then begin groping desperately further back and even down towards his throat. In the end, of course, all of this would cause him to vomit, generating more agitation and tears.

Perhaps seasoned parents understand this behavior. I certainly do now. That was: “My throat is really scratchy and it’s driving me crazy, maybe I’m coming down with what you all call a cold; I’m gonna do something about it since you’re being so dense.”

It All Gets Weird, Except It Never Does

Had I understood that every infant and toddler is a fully rational human being, even when they seem anything but normal, I could have been a better early dad. All emotions are rational, sometimes we just don’t understand them.

Besides fundamental attempts to problem-solve, kids are also amazingly poetic and musical in how they express themselves. We have this on video tape somewhere, but our oldest used to “sing” at the table and spin his right hand around and around at the wrist while watching dinner being made. The “singing” was rhythmic and chant-like, gradually moving up the register from low to high notes, often gaining in volume.

He would go on and on like that for thirty minutes. If you tried to give him some Cheerios or a bottle of juice or water, he would push it all aside, singing louder, hand spinning faster and faster. It was very charming and hilarious. But it took his dad of limited experience several weeks to realize he was simply happy and excited that I was making us dinner. He adored lentils and rice. Also chopped up pasta and butter with a little parmesan cheese. All that singing and hand spinning was someone proclaiming joy because he was anticipating a yummy meal with daddy the cook.

Also, it seems obvious that babies can’t tell you that they’re frightened of missing you when you put them down in their crib and turn out the light and close the door. They can’t tell you that they need to be changed or that their ear hurts and they have a slight fever. And they can’t tell you that they don’t want you to leave them at daycare because they love you too much and don’t like to be away from you. So they cry. And somewhere along the way we forget that their attempts to express themselves are obvious and 100% rational. We lose patience and understanding. It’s so easy as a parent to feel helpless, frustrated, and annoyed. What would you do, though, if you had to drive across the country with someone who didn’t speak a lick of English and had grown up in a tent on the desert, say, or in a treehouse near the Amazon?

Anger and Cuteness and Freedom for All

My wife loves to say it was really fun having two-year-olds in our house. They were never the “terrible twos” to us. She calls that period of life the Terribly Cute Twos. Yes, there can be a crazy, wild amount of mischief and trouble that pops up. You have a barely verbal little person learning to walk all of a sudden. They’re up and roaming the world with the fearlessness of a gymnast and the ignorance of a drunken sailor. There’s fussing and crying and temper tantrums, and they bestow upon you their first blush of real anger and aggressive hostility towards authority figures (parent ones at least). They’ll climb out of their cribs and wander the house in the middle of the night. We have friends whose two-year-old unlocked the front door early one morning and went outside in his onesie to play at sunrise in the snow.

It’s all part and parcel to what’s really going on with that developing personality. Generally speaking, being a two-year-old is about realizing the profound nature of ones individuality and discovering personal freedom. Yes, it takes a while to learn self-control (a decade or two sometimes), but there may never be another time in any person’s life where there is more wonder and joy on such a simple philosophical level. Two is a watershed year for everyone.

Just before he hit that terribly too cute year, one of our sons would go into the bathroom every afternoon when we got home from nursery school and pull all the towels off their racks, then open the storage cupboard (floor level) and yank all the folded ones onto the floor. I thought maybe he was trying to make a nest for himself or that he did something similar at school, but I’m pretty sure now that he was simply having fun excercising his automy and dominion over colorful, soft, fluffy things in the bathroom.

Either you’re going to have a failure to communicate, or you as a parent can recognize the great learning opportunity you have in front of you. Approaching that little human (I reiterate they are astoundingly rational by default) as someone to learn from can be incredibly invigorating, even life affirming. To say my dad missed out on something important is an understatement. Babies are wonderful little puzzles that give you hugs and laugh whenever you make weird noises and faces.

Maintaining a running dialog with other caregivers, especially one’s spouse, is vital. Over the years, we also sometimes got invaluable information from the older siblings that helped unlock essential truths we wouldn’t have gleaned as the bosses in the house. Shared knowledge helps everyone get a better grasp of what’s really going on with that little human.

Those were great days. We were code breaking as a growing family, learning to understand new people who had somehow magically showed up in our lives.

Never Simple and Then It’s Over

I remember a friend of mine once saying that women were better parents early in a child’s life because they could just expose a nipple and that little person would simply shut up and eat.

My dad also claimed he figured out early on that when we cried it meant we needed one thing: Mommy. He said it was pretty simple.

No, Dad, little kids are never simple. You think you’re intelligent and then you become a parent. All that poetry and song, all that open-eyed, early impetus to communicate, all that emotion and thirst to learn and play. If you don’t understand the need to figure out what’s being “said,” you wake up one day and they‘re long gone in their thirties (or sixties). And you’ll realize you missed a lot back there. It’ll be too late — unless, of course, you’re lucky enough to get the challenge of becoming a grandparent…which I am now.

What I’m Working on in 2024

[Note from 2026: A lot happened to prevent the proper publication of Sound Effect Infinity until February 2026, where this note is coming from. Click the links where you see them, and you’ll find the book posted to Amazon as a special edition hardcover offering. If you read below, you’ll see where things were, but not where they are now]

I already feel like a jerk. The only thing that is going to keep me from being selfish and single-minded here in 2024 is if I need surgery or get diagnosed with cancer or just don’t wake up some morning. A solid, working draft of my third novel for The Story Plant is due in December of 2024. The title we’re operating with right now is Notes on the Golden Country. I spent much of 2023 doing research and making notes for this year’s efforts. By late August I had started up on a first draft. As 2024 gets uncaged, I am about 120 pages in to Part I of three parts. I’m going to be a selfish jerk the rest of this year until I’m done. Meaning, I don’t want to come over to your house, go on a long walk, or anything else that will muddle my focus on writing this very odd story.

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Once We Become Unprecedented

A version of this commentary was recently published at Medium.com in the Illumination publication collection

This week I’ve been reading an interview with nobel literature laureate Louis Glück in The Paris Review’s Winter 2023. It’s a great dialog conducted by esteemed poet, memoirist (and more), Henri Cole. Two poets talking, with one of them a recent nobel winner, is always interesting. For those of you who think this kind of thing snooty, high-falootin’, and/or elitist, sorry, but all the interviews in The Paris Review are fun to check out.

Seriously, we’re all writers these days. It’s useful to read the thinking of the world’s top practitioners. Their insights into process and intent can help with the most mundane written tasks. More importantly, though, writers–especially poets like Glück–tend to provide us with surprisingly useful insights into life. I offer a quick and simplified reason for this wisdom phenomenon from writers at the end of this piece.

To point, however: Deep in the interview, Henri Cole asks Louise, “Did you read poetry when you were a little girl?” That question struck loud even before I read her answer. Ever since I began writing Old Music for New People, I’ve been in search of thoughtful comments about identity and self-consciousness in this idiotic, ultra-modern world. The most important function of literature for the past century, in my opinion, has been to present us with a kaleidoscope of stories connected to people coming to terms with who they are in a world that seems a bit more predatory and judgmental than it should be.

Here, then, is Glück’s answer to Cole’s question about the idea of being a little girl:

“What’s odd in your question is the phrase “little girl.” I didn’t feel like a little girl — I would guess this to be a common feeling. I understood that I was perceived as one. I was certainly not a little boy. But I felt like a single, unprecedented thing, a mind, like the light a miner wears on their head. Adolescence, when it happened, was a shock. Suddenly I was inescapably confined by gender — I rejected this tacitly and also violently.”

Interview with Henri Cole, The Paris Review, vol. 246

“…a single, unprecedented thing, a mind…” Moving beyond reactionary politics and “correct speech” on all sides, that’s exactly what we are, even if we end up allowing the external world to absorb us. “Unprecedented.” Nothing more and nothing less, except perhaps the lights we make to wear on our heads.

Louise Glück died on October 13, 2023. She was 80. Surely, she was unprecedented most of her life. Every poet worth their beans is. But that’s also what each of us normal fools strives for … until, perhaps, we don’t. Which can be very sad.


Before signing off here, let me offer something to think about in 2024:

I wrote above that we’re all writers these days. That’s not hyperbole–certainly not with respect to anyone with a smart phone, laptop, or digital tablet. What is vital to understand about all the writing you’re doing is that when words in your mind get directly emblazened onto paper or liquid electrons in any way, your brain operates on a different level than when you speak. The same is true when you read, as opposed to simply listening to someone else reading to you.

It can be subtle at first, but writing and reading are intimate forms of consciousness and weirdly wired to the sub- and un-conscious parts of our minds. That can be quite dangerous, even ugly (think online trolls and angry anonymous rants). It can also be a wondrous and amazing thing, whether you’re writing to congratulate someone on getting into the college of their choice, attempting to out-poetify Louise Glück, or sending a passionate note to Taylor Swift or Carlos Santana.

Professional writers pay attention to this thing inside them that’s like a ringing bell tickling the brain in a certain way instead of making noise. When that bell activates, writers know they’re onto something. Everyone has that in them, you just have to pay attention and remain diligent in developing it. Like anything, if you pay attention and work hard you keep getting better at it. Reading great writers helps. In particular, reading interviews in The Paris Review can work wonders. I’m not going to get into the other side of the writing equation which is editing (and revising…endlessly), except to point out that the best writing is not intended to be wise or intriguing, it’s intended to be open enough so that readers have the opportunity to create wisdom and intrigue for themselves. Succeeding on that level is very difficult and requires lots or revising.

What I mean here as we head into a new year and life continues to be nearly completely out of control is that you could die next week. Now, hopefully, you have more insight into why writing and reading are vital to your existence.

Hopefully, too, you understand that you are “a single, unprecedented thing, a mind…” It’s the “unprecedented thing” that matters most. Don’t forget that.

Photo by Mark Hayward on Unsplash

The Psychology of Sound

Brain on music

I’ve spent my entire life astounded by the magic of music, appreciating everything from opera and Gregorian chant to bluegrass and every kind of jazz there is. But what exactly is being touched in us and inspired when we listen to our favorite songs? What is this creation of new and complex emotion, the stimulation of sensuality, bittersweet memory, at times even, that awareness of sublime connection to the universe? How full and rich our lives are because of the beauty and profundity of sound waves organized into melody, rhythm, timber, and harmonic tones! Friedrich Nietzsche said it best: “Without music, life would be a mistake.”

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The Summer We Are 15

So much to balance about life during the summer we are 15

Flash growth and learning to survive.

A version of this essay was originally published at Medium.com and then with The Good Men Project “Modern Identities” imprint

I was 15 in 1973. It was the year my parents began their divorce. It was also the year that I began to seriously grow my hair long and think — quite innocently compared to life here in the 2020s — about why there are limitations on our behavior as male and female members of our society. What kind of person did I feel I wanted to become? Why did what people think of me make me feel so much pressure? What does it mean when we’re expected to conform?

I also fell in love with a girl who happened to be an amazing athlete and musician at the beginning of the summer. She was a whip-smart student as well. I was an okay athlete, could kind of sing, and did well enough in subjects that I liked. I should have felt emasculated by her. However, I took pride in being her boyfriend specifically because she could beat me at tennis and ping pong and most any card game. I didn’t feel like a lesser human at all. Even though we never talked about it, I don’t think she ever considered me lesser either.

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