My next novel, Sound Effect Infinity, will release early this spring. I’ve been busy prepping it for print publishing by Flat Branch Press over the past few weeks. A special edition hardcover will have a soft launch in February. If you’re interested in ordering a copy, drop me a line, sign up to the right for our mailing list, or follow me on Instagram or Facebook.
In the mean time, I’m dropping a brief scene below, and not from the early sections of
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[Note from 2026: A lot happened to prevent the proper publication of Sound Effect Infinity until February 2026, where this note is coming from. Click the links where you see them, and you’ll find the book posted to Amazon as a special edition hardcover offering. If you read below, you’ll see where things were, but not where they are now]
I already feel like a jerk. The only thing that is going to keep me from being selfish and single-minded here in 2024 is if I need surgery or get diagnosed with cancer or just don’t wake up some morning. A solid, working draft of my third novel for The Story Plant is due in December of 2024. The title we’re operating with right now is Notes on the Golden Country. I spent much of 2023 doing research and making notes for this year’s efforts. By late August I had started up on a first draft. As 2024 gets uncaged, I am about 120 pages in to Part I of three parts. I’m going to be a selfish jerk the rest of this year until I’m done. Meaning, I don’t want to come over to your house, go on a long walk, or anything else that will muddle my focus on writing this very odd story.
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A version of this essay was published in the Illumination publication on Medium several weeks ago.
These days, I wish as hard as I can for good things that are considered impossible to happen, like there actually being a Santa Claus with a whole team of people way up North who spend all year working on ways to gift the world with love and happiness and really cool new technology to boot. I also wonder sometimes whether we’ll be alive when the next truly artistic and creative musically gifted songwriters come along the way the Beatles did and don’t just change the course of music, but change the power of creativity and aesthetics for artists everywhere. I think and wish for that kind of stuff, because I firmly believe that envisioning amazing things is the only way we get beyond the malaise we’ve built for ourselves here in the 2020s.
I also wish people read and talked about utopian concepts more, and at least believed in the real possibility of more ideal societies. Whether we like it or not, the job of life will always be to build a better future for all of humankind. Note that italicized word there. It’s important.
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My new novel, Sound Effect Infinity, will be released on January 23, 2024 (fingers crossed, because you never know about this world we all live in now). It’s a science fiction story about a near-future world where the mysteries of music and sound and human connection are front and center, along with mind control experiments of the CIA, and questions about the power of psychedelic drugs and paranormal phenomena. I’d say it’s worth the read just to see if the author can carry all that off.
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