Intelligent Conversations with Infants

On the poetics of babies we need to understand

My father used to tell a parenting joke that went something like this: “As soon as my children were capable of an intelligent conversation, it felt like they were real human beings.” I loved my dad, but he could be such an idiot about little kids.

All good dads in today’s world understand that a very human relationship with their children begins as soon as they are born. In my dad’s day, prospective fathers weren’t even allowed in the delivery room. I was right there when each of my three kids finally showed up. I’ll never forget the feeling I had when my first son was born. I was left in the delivery room for about 90 seconds while they wheeled out mom. I walked over to the little bassinet thing in which he’d been placed and stared down at this wonderful stranger’s face. That 5-pound 4-ounce little kid who arrived six weeks early paused in mid-squawk, popped open his eyes, and calmly stared into my soul. I tried to tell my dad about that moment once. He said, “Baby’s can’t see a thing when they’re just born.” Well, sure.

Being There and Feeling Crazy

I knew I didn’t want to be like my dad, but there’s no way I had a clue how hard it is being a competent father to infants. I wish I’d understood in the beginning that communication is different than speaking. All that acting out and fussing and crying — even well after language acquisition — is open communication of emotion. It’s not a little punk kid being an impossible, useless little jerk. A major job of a parent in the early days is to learn what’s being expressed and to figure out how to effectively respond back.

One of our kids would sometimes try to stuff his hand into his mouth and then down his throat. Sometimes he would do it after fussing for a while. Sometimes it seemed he might be a little psychotic. All too often he would get his little fist inside his mouth, then begin groping desperately further back and even down towards his throat. In the end, of course, all of this would cause him to vomit, generating more agitation and tears.

Perhaps seasoned parents understand this behavior. I certainly do now. That was: “My throat is really scratchy and it’s driving me crazy, maybe I’m coming down with what you all call a cold; I’m gonna do something about it since you’re being so dense.”

It All Gets Weird, Except It Never Does

Had I understood that every infant and toddler is a fully rational human being, even when they seem anything but normal, I could have been a better early dad. All emotions are rational, sometimes we just don’t understand them.

Besides fundamental attempts to problem-solve, kids are also amazingly poetic and musical in how they express themselves. We have this on video tape somewhere, but our oldest used to “sing” at the table and spin his right hand around and around at the wrist while watching dinner being made. The “singing” was rhythmic and chant-like, gradually moving up the register from low to high notes, often gaining in volume.

He would go on and on like that for thirty minutes. If you tried to give him some Cheerios or a bottle of juice or water, he would push it all aside, singing louder, hand spinning faster and faster. It was very charming and hilarious. But it took his dad of limited experience several weeks to realize he was simply happy and excited that I was making us dinner. He adored lentils and rice. Also chopped up pasta and butter with a little parmesan cheese. All that singing and hand spinning was someone proclaiming joy because he was anticipating a yummy meal with daddy the cook.

Also, it seems obvious that babies can’t tell you that they’re frightened of missing you when you put them down in their crib and turn out the light and close the door. They can’t tell you that they need to be changed or that their ear hurts and they have a slight fever. And they can’t tell you that they don’t want you to leave them at daycare because they love you too much and don’t like to be away from you. So they cry. And somewhere along the way we forget that their attempts to express themselves are obvious and 100% rational. We lose patience and understanding. It’s so easy as a parent to feel helpless, frustrated, and annoyed. What would you do, though, if you had to drive across the country with someone who didn’t speak a lick of English and had grown up in a tent on the desert, say, or in a treehouse near the Amazon?

Anger and Cuteness and Freedom for All

My wife loves to say it was really fun having two-year-olds in our house. They were never the “terrible twos” to us. She calls that period of life the Terribly Cute Twos. Yes, there can be a crazy, wild amount of mischief and trouble that pops up. You have a barely verbal little person learning to walk all of a sudden. They’re up and roaming the world with the fearlessness of a gymnast and the ignorance of a drunken sailor. There’s fussing and crying and temper tantrums, and they bestow upon you their first blush of real anger and aggressive hostility towards authority figures (parent ones at least). They’ll climb out of their cribs and wander the house in the middle of the night. We have friends whose two-year-old unlocked the front door early one morning and went outside in his onesie to play at sunrise in the snow.

It’s all part and parcel to what’s really going on with that developing personality. Generally speaking, being a two-year-old is about realizing the profound nature of ones individuality and discovering personal freedom. Yes, it takes a while to learn self-control (a decade or two sometimes), but there may never be another time in any person’s life where there is more wonder and joy on such a simple philosophical level. Two is a watershed year for everyone.

Just before he hit that terribly too cute year, one of our sons would go into the bathroom every afternoon when we got home from nursery school and pull all the towels off their racks, then open the storage cupboard (floor level) and yank all the folded ones onto the floor. I thought maybe he was trying to make a nest for himself or that he did something similar at school, but I’m pretty sure now that he was simply having fun excercising his automy and dominion over colorful, soft, fluffy things in the bathroom.

Either you’re going to have a failure to communicate, or you as a parent can recognize the great learning opportunity you have in front of you. Approaching that little human (I reiterate they are astoundingly rational by default) as someone to learn from can be incredibly invigorating, even life affirming. To say my dad missed out on something important is an understatement. Babies are wonderful little puzzles that give you hugs and laugh whenever you make weird noises and faces.

Maintaining a running dialog with other caregivers, especially one’s spouse, is vital. Over the years, we also sometimes got invaluable information from the older siblings that helped unlock essential truths we wouldn’t have gleaned as the bosses in the house. Shared knowledge helps everyone get a better grasp of what’s really going on with that little human.

Those were great days. We were code breaking as a growing family, learning to understand new people who had somehow magically showed up in our lives.

Never Simple and Then It’s Over

I remember a friend of mine once saying that women were better parents early in a child’s life because they could just expose a nipple and that little person would simply shut up and eat.

My dad also claimed he figured out early on that when we cried it meant we needed one thing: Mommy. He said it was pretty simple.

No, Dad, little kids are never simple. You think you’re intelligent and then you become a parent. All that poetry and song, all that open-eyed, early impetus to communicate, all that emotion and thirst to learn and play. If you don’t understand the need to figure out what’s being “said,” you wake up one day and they‘re long gone in their thirties (or sixties). And you’ll realize you missed a lot back there. It’ll be too late — unless, of course, you’re lucky enough to get the challenge of becoming a grandparent…which I am now.

Life on the Outskirts of DNA: Transcending Race

Beyond DNA

I’m in the middle of writing a novel about 21st century racial identity, among other things. Also, pioneering, mixed race farming communities in the 19th century Midwest, and the future Utopia that we are all not going to know we’re living in. I began writing this story in the fall of 2003, partly as an experiment with a new-fangled thing called Weblogs. Also because after being on this planet for 45 years, I’d finally learned the secret of my biological heritage.

I was adopted in 1958. There were numerous “stories” about that adoption people told. But no one really knew anything besides the fact that I had dark features and looked like I came into the world as a blend of different types of people. No one ever really understood that I’d spent my life on the outside of DNA conversations. I felt left out and that I was missing something in life, but I also kind of felt superior to people who thought that stuff mattered.

That thinking went on way into my adult years. In the end, my wife and I decided we needed to somehow address the whole heritage thing as it pertained to me (she’s a locked down Irish-American lass). It seemed like good parenting to at least take a shot for an answer to the very real and intimate question: “Where did Dad come from?” Also, for that matter, “How did he get here?” In the case of blended adopted people like me, those are very visceral and poignantly simple questions that legitimately require an answer for one’s children.

So in 2003 we went searching for those answers. That was just as Ancestry.com was becoming a functional possibility for easy solutions to the question of DNA inheritance. A few years later I would actually take a spit-in-the-tube test.

But here’s the point of this hopefully quick essay: Yes, I was somewhat aware I could determine my ethnic heritage (note I do not say race because there is actually no such thing) using the test tube method, but I was also aware that taking a trip to the middle of the country where I began life might be an adventure that would change our family’s whole sense of who we are in the world.

That was all a bit more than 20 years ago. I’m not going to give away any answers here, except to say that we learned so much more than where I came from and why I’m here. It’s kind of a funny thing for someone like me to even think that my physical heritage really has much bearing on who I am as a person. Some might argue that being able to identify yourself as part of specific ethnic groups is a simple enhancement to the beauty of life.

I’ll let that last sentence percolate there for all of us here in 2024.

I was a fortunate little sprout growing up as a Biddle. My father was buddies with Coretta Scott during their first year at Antioch College in Yellow Springs, Ohio. They both loved music and were in classes and performances together. I was also raised in one of those weird, progressive families that periodically go to Friends Meeting when it’s convenient (or important) on a Sunday morning. Yup, we were Quakers (there’s a very long history for the Biddle family on that topic). I am proud of all that.

But what I want to close with here is that I was raised in a household where that oh so famous quote by Dr. Martin Luther King, Jr. wasn’t simply a nice thing to claim you believe in:

“I have a dream that my four little children will one day live in a nation where they will not be judged by the color of their skin but by the content of their character.”

–MLK, Jr.

I know it’s still a vision and a dream, but I feel that in our hearts every single American believes in that vision, especially those who are the most cynical about Dr. King’s statement. Everyone knows about that character idea and the problem with judging people we don’t know. We do it anyway, but we all know better. We really do!

In the end, the history of my DNA doesn’t really matter, not compared to all the people I’m connected to in my life and all the groups of which I am a part — from baseball fan and lover of improvisational music to half-assed Quaker and proud, loving citizen of my country and the world. I will always be on the outside looking in when it comes to DNA and biological heritage. Won’t that be funny someday when everyone has that same perspective?

Watch for the story I’m working on sometime near the end of 2025. It should be a wild read.


A version of this quick-read commentary was originally published by The Good Men Project as well as in their "Equality Include You" publication at Medium.com

What I’m Working on in 2024

[Note from 2026: A lot happened to prevent the proper publication of Sound Effect Infinity until February 2026, where this note is coming from. Click the links where you see them, and you’ll find the book posted to Amazon as a special edition hardcover offering. If you read below, you’ll see where things were, but not where they are now]

I already feel like a jerk. The only thing that is going to keep me from being selfish and single-minded here in 2024 is if I need surgery or get diagnosed with cancer or just don’t wake up some morning. A solid, working draft of my third novel for The Story Plant is due in December of 2024. The title we’re operating with right now is Notes on the Golden Country. I spent much of 2023 doing research and making notes for this year’s efforts. By late August I had started up on a first draft. As 2024 gets uncaged, I am about 120 pages in to Part I of three parts. I’m going to be a selfish jerk the rest of this year until I’m done. Meaning, I don’t want to come over to your house, go on a long walk, or anything else that will muddle my focus on writing this very odd story.

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Once We Become Unprecedented

A version of this commentary was recently published at Medium.com in the Illumination publication collection

This week I’ve been reading an interview with nobel literature laureate Louis Glück in The Paris Review’s Winter 2023. It’s a great dialog conducted by esteemed poet, memoirist (and more), Henri Cole. Two poets talking, with one of them a recent nobel winner, is always interesting. For those of you who think this kind of thing snooty, high-falootin’, and/or elitist, sorry, but all the interviews in The Paris Review are fun to check out.

Seriously, we’re all writers these days. It’s useful to read the thinking of the world’s top practitioners. Their insights into process and intent can help with the most mundane written tasks. More importantly, though, writers–especially poets like Glück–tend to provide us with surprisingly useful insights into life. I offer a quick and simplified reason for this wisdom phenomenon from writers at the end of this piece.

To point, however: Deep in the interview, Henri Cole asks Louise, “Did you read poetry when you were a little girl?” That question struck loud even before I read her answer. Ever since I began writing Old Music for New People, I’ve been in search of thoughtful comments about identity and self-consciousness in this idiotic, ultra-modern world. The most important function of literature for the past century, in my opinion, has been to present us with a kaleidoscope of stories connected to people coming to terms with who they are in a world that seems a bit more predatory and judgmental than it should be.

Here, then, is Glück’s answer to Cole’s question about the idea of being a little girl:

“What’s odd in your question is the phrase “little girl.” I didn’t feel like a little girl — I would guess this to be a common feeling. I understood that I was perceived as one. I was certainly not a little boy. But I felt like a single, unprecedented thing, a mind, like the light a miner wears on their head. Adolescence, when it happened, was a shock. Suddenly I was inescapably confined by gender — I rejected this tacitly and also violently.”

Interview with Henri Cole, The Paris Review, vol. 246

“…a single, unprecedented thing, a mind…” Moving beyond reactionary politics and “correct speech” on all sides, that’s exactly what we are, even if we end up allowing the external world to absorb us. “Unprecedented.” Nothing more and nothing less, except perhaps the lights we make to wear on our heads.

Louise Glück died on October 13, 2023. She was 80. Surely, she was unprecedented most of her life. Every poet worth their beans is. But that’s also what each of us normal fools strives for … until, perhaps, we don’t. Which can be very sad.


Before signing off here, let me offer something to think about in 2024:

I wrote above that we’re all writers these days. That’s not hyperbole–certainly not with respect to anyone with a smart phone, laptop, or digital tablet. What is vital to understand about all the writing you’re doing is that when words in your mind get directly emblazened onto paper or liquid electrons in any way, your brain operates on a different level than when you speak. The same is true when you read, as opposed to simply listening to someone else reading to you.

It can be subtle at first, but writing and reading are intimate forms of consciousness and weirdly wired to the sub- and un-conscious parts of our minds. That can be quite dangerous, even ugly (think online trolls and angry anonymous rants). It can also be a wondrous and amazing thing, whether you’re writing to congratulate someone on getting into the college of their choice, attempting to out-poetify Louise Glück, or sending a passionate note to Taylor Swift or Carlos Santana.

Professional writers pay attention to this thing inside them that’s like a ringing bell tickling the brain in a certain way instead of making noise. When that bell activates, writers know they’re onto something. Everyone has that in them, you just have to pay attention and remain diligent in developing it. Like anything, if you pay attention and work hard you keep getting better at it. Reading great writers helps. In particular, reading interviews in The Paris Review can work wonders. I’m not going to get into the other side of the writing equation which is editing (and revising…endlessly), except to point out that the best writing is not intended to be wise or intriguing, it’s intended to be open enough so that readers have the opportunity to create wisdom and intrigue for themselves. Succeeding on that level is very difficult and requires lots or revising.

What I mean here as we head into a new year and life continues to be nearly completely out of control is that you could die next week. Now, hopefully, you have more insight into why writing and reading are vital to your existence.

Hopefully, too, you understand that you are “a single, unprecedented thing, a mind…” It’s the “unprecedented thing” that matters most. Don’t forget that.

Photo by Mark Hayward on Unsplash

Private Utopias and the Future of Everyone

A version of this essay was published in the Illumination publication on Medium several weeks ago.

These days, I wish as hard as I can for good things that are considered impossible to happen, like there actually being a Santa Claus with a whole team of people way up North who spend all year working on ways to gift the world with love and happiness and really cool new technology to boot. I also wonder sometimes whether we’ll be alive when the next truly artistic and creative musically gifted songwriters come along the way the Beatles did and don’t just change the course of music, but change the power of creativity and aesthetics for artists everywhere. I think and wish for that kind of stuff, because I firmly believe that envisioning amazing things is the only way we get beyond the malaise we’ve built for ourselves here in the 2020s.

I also wish people read and talked about utopian concepts more, and at least believed in the real possibility of more ideal societies. Whether we like it or not, the job of life will always be to build a better future for all of humankind. Note that italicized word there. It’s important.

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Lining Up for Flight: “Sound Effect Infinity” About to Lift Off

Note: Sad but True, the below did not happen. I write now (April 15, 2026) a few weeks before we finally launch Sound Effect Infinity. Time to buy the book. It took a lot of patience and humility to get it out to you. 

My new novel, Sound Effect Infinity, will be released on January 23, 2024 (fingers crossed, because you never know about this world we all live in now). It’s a science fiction story about a near-future world where the mysteries of music and sound and human connection are front and center, along with mind control experiments of the CIA, and questions about the power of psychedelic drugs and paranormal phenomena. I’d say it’s worth the read just to see if the author can carry all that off.

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Our national conversation about gender identity is one big miscommunication

I had a friend in junior high whose father and uncle decided they’d had enough of his long hair (beautiful, silken, golden wheat-colored, cascading well below his shoulders). They trapped him in the bathroom one Sunday night, held him against a wall, and shaved his head down to the skull. He showed up on our school bus the next morning ashen-faced and despondent — altered from an astoundingly beautiful young prince of the world into someone who looked and probably felt like an escaped convict.

This was in 1972. I grew up in the Midwest, where it was common for strangers to menacingly say: “Boy, you better cut your hair. You look like a girl.”

We talk a great deal about America as an experiment in democracy. An equally important metaphor about this “land of the free”is our nonstop, somewhat confused conversation about identity, especially with teenagers. No matter what adults believe, the major lesson virtually all young people come to terms with eventually is that there is no such thing as one answer to questions about who they are.

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At Play in the Land of Identity

Philadelphia Inquirer Op-Ed on Gender Identity

My essay, “Our National Conversation About Gender is One Big Miscommunication,” was published in The Philadelphia Inquirer a few weeks ago. I was fortunate enough to work on it with Commentary and Opinion Editor, Devi Lockwood. I am always grateful when my work goes through the fine-tuning filter of professional editors. I was quite happy with that piece when I submitted it. It says a lot more than pretty much anyone else has said on gender and identity in a long time (check it out if you don’t believe me). However, I wonder if people fully understood that I was pointing my finger at all of us and our growing collective inability to communicate in this nutso country, not just those who have demonstrated political and kneejerk prejudices about transgender culture.

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A Brief Scene from “Old Music for New People:” how to hold a knife

There are a number of scenes in my novel Old Music for New People that make me cry whenever I read them. I began writing that book in or around 2013. It is an understatement to say I re-wrote and revised that story dozens of times. So many scenes are emblazoned in my objective editing brain (such as it is). You’d think by now I would be somewhat immune/bored or at least distant from those scenes. But I’m not. Maybe it’s because the story is about the summer of 2013–a much sweeter, more innocent time for all of us on planet earth.

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