What Possibility Imagination?

Most people would love to have any of numerous magical powers. The most logical ones for this day and age are probably telepathy and psycho-time travel (also known as chronovoyance). Remote viewing and telekinesis are up there, too.

Specialized telekinesis talents, like the ability to control clock speeds, have been amply documented during the 20th century in several places around the world, most notably Israel, South Africa, and the French Cola Islands.

By 2010, other powers had been almost fully ruined by superhero movies. We know now that if people assume things are myths or just movie magic–like flying, super strength, invisibility–even time travel and thought control–people lose the ability to figure out whether they can actually do those things. And some people have always been able to whether they know it or not.

The elimination of anything super human from the possibility of imagination is a purely 21st century phenomenon. There is no telling how this is effecting cultural evolution. It may as well be the reason that so many people are caught up in silly (and imbecilic) conspiracy theories. That’s all most people have left.

(In preparation for the publication of my next novel, Sound Effect Infinity)

Do You Know What You’re Missing?

Bookshelf at Booked in Chestnut Hill, Philadelphia

I’ve had three guest posts up now at my publisher’s web site . Each of the pieces gives a bit of a different take on the origins of my novel, Old Music for New People. The read time for each of them is about a five minute read or less. I’m quite happy with each of those brief essays. They’re worth a read whether you buy my novel or not.

I’ve always had a difficult time as a writer with the idea of needing to explain myself and my work. It may be a weird way to look at the finished product, but ever since I published my first magazine article back in the 1980s it always feels like the words I wrote belong to each reader and to the world at large. My personal intent and purpose in writing something–anything–is secondary. What the reader thinks of whatever I’ve created is all that matters.

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Writing in a Girl’s Voice

Girl looking in a mirror

Never tell a character in your head to get lost

A slightly different form of this essay was published in Medium.com

One morning nearly ten years ago, a voice showed up in my head as I was walking up the stairs to my 3rd floor writing room. They were offering the beginning line of a story. By the time I sat in front of my laptop, the voice made it clear that I needed to get to work immediately. “She” absolutely was not going to leave me alone.

No one told us we were going to have a summer-long visitor until the night before that visitor arrived.

Ivy Scattergood

A few months before that, I’d gone back and read a bunch of young adult coming-of-age stories. This was around the time I was becoming acutely aware of the fact that our youngest son was about to leave home for college. I suppose that because I’m a writer going back to my reading roots made sense. Maybe others return to old music, long walks, or pre-parent hobbies.

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